Choose quality optics and spend more glassing for game

My vision is only fair at best but when snow covers the tag alders, and a deer stands motionless back in this heavy cover, they are tough for me to see.

Quality optics means everything to a deer hunter. The difference between good and bad optics is like the difference between a good apple and a worm-filled one.

I've always believed in good optics, and also believe that a person gets what they are willing to pay for.

I have a pair of Swarovski binoculars, and I'd rather leave home without my bow release (I do bow hunt during the firearm season at times) than without my binoculars. I know that I can still shoot with my fingers and make a killing shot, but I don't have the same confidence in my vision without quality glass around my neck.

Hunting skills are only as good as your quality optics.

A friend of mine returned to Michigan many years ago from a hunt in southern Alabama. He and his wife were hunting with some Louisiana Cajun shrimpers from the Mississippi River delta country, and they all carried big, heavy binoculars and scopes."What's up with the big binoculars," he asked the Cajun hunters. He was quickly given a demonstation of the difference between his and theirs. That difference was simply amazing.

"Our binoculars and rifle scopes give us another 15 minutes of quality hunting time once your binoculars no longer work," he said, once shooting time had ended. "Look yonder. Can you see that deer standing 10 yards inside the cover by that lightning-blasted pine stump?"

My buddy couldn't see the animal and could just barely make out the fuzzy image of the stump. The Cajun offered his Swarovski binoculars, and he quickly spotted the buck. That short demonstration offered him more light-gathering qualities, greater magnification and a much greater ability to see deeper into the thick brush. Had it still been legal to shoot, it would have been and easy shot on that buck.

Alabama is wrapped up in deer, but once they get into thick cover along the edge of the green fields, they are virtually invisible without great optics.

My ability to see deer enables me to better plan on how to hunt them. In some cases, it means allowing the bucks to come to you; in other situations, it may allow the hunter to make tactical changes in how he hunts that particular animal.

It goes without saying that seeing deer before they see you is of paramount importance. Quality optics can help make that happen. For instance, a few years ago I saw some snow fall off a tag alder.

I wondered why that happened. I studied the area from my stand, and it took several minutes but then the beam of one antler came into focus. I kept studying the spot, and the buck was bedded down inside the alders where he thought he was invisible.

He wasn't, and he came my way and offered an easy shot. I didn't shoot because I was waiting for a bigger buck. He didn't show up, and I proved to myself again why I shelled out a big chunk of money for those high-quality binoculars, rifle scopes and spotting scopes.

Quality binoculars are important. Without them, there is much you won't be able to see. Binoculars aren't only for deer hunting. I always carry a good pair of binocs when wild turkey hunting. If I catch a glimpse of a gobbler heading into the woods, my binoculars come up and I can keep and eye on the longbeard's travel direction. It's amazing just how easy it can be to pick a hole through the brush as the bird approaches the call.

Glassing for game is more of the same. My optics come in handy on elk and mule deer hunts, and I've separated a Boone and Crockett bull from grey-colored rocks in northern Quebec and elk from the alpine ridges of Arizona, Colorado, Idaho and New Mexico.

Spot the animals, and your hunt can be made much easier. It's possible to cover and help point the way to move to intercept a big bull without being winded in the prospect.

I do much of my spring turkey scouting from my car while driving back roads. Stop often, and glass open woodlots and pasture land. Often, about 10 a.m., gobblers head for their strut zones to impress the hens.

Find the birds, keep them in sight, and move carefully into position to call. Hunters will soon learn that quality optics can make hunting a little easier, and believe me, there are times when you'll need all the help you can find to be successful.

Little Things can Change a Hunt

The result of good planning and the plan working out.

Many hunters think of bow hunting as a huge-antlered buck standing motionless at 20 yard with nothing but a few low-growing weeds and air between them and the deer.

This so-called calendar pose is what many short-term bow hunters expect to see while hunting. They've been conditioned over many years to expect such a shot, no matter how unrealistic it may be.

The same hunters seldom think of spotting a nice buck, his head held low, as it ghosts through a cedar swamp or tag alder tangle. The truth is that while an occasional shot is taken at a broadside, head-in-the-air buck, the reality is much different than what our imagination tells us is true.

The little things about bow hunting should tell us that a buck seldom offers an easy, open shot. Often, the animal is partially screened by brush or is standing in thick cover. Deer often stop when their vitals are screened by thick brush.

I'm not naive enough to believe they deliberately do so.

One of the little things that hunters must learn, and practice faithfully, is an extraordinary amount of patience. Hunters who get strung out by a motionless buck that doesn't move are usually unprepared for a shot when the deer does move.

Patience is something all of us must believe in. It's always better to sit motionless, and if the buck doesn't move before shooting time ends, chalk it up to another night when the deer outsmarted the hunter. Such things happen far more often than most of us care to think about.

Sitting motionless and silent is far preferable than trying a Hail Mary shot that may make it through the brush to the buck's vitals, but for whatever reason, it rarely does. Taking a low-percentage shot only educates or wounds deer.

There have been countless times when I've spent 30 minutes to one hour waiting for a good buck to move that last 10 feet to offer an open shot. More often than not, they refuse to budge and shooting time ends with the animal still standing motionless in thick cover, still looking around.

Another little thing to remember is to stay in your stand until the buck moves off by himself. Start crawling down out of a tree, and you'll have ruined that stand for the rest of the year. Just hang tight, remain silent, and let him move when the mood strikes him. Wait for someone to come looking for you, and let them spook the deer rather than you doing so.

Building your patience level doesn't occur overnight. It takes time and a great deal of practice, and blowing some possible shot opportunities, before you acquire the necessary skills to wait out a slow-moving deer.

Don't do something stupid if the buck is slowly making his way to you. Perhaps you are in his travel route, and if you sit patiently, the buck may move to you. If you haven't been calling, and suddenly start calling to a nearby deer, the animal may turn away. It may or may not spook, but if the deer keeps coming to silence, don't introduce something new into the equation because it could backfire.

Be very cautious about dropping things. I've seen bucks and does stop 50 yards away because they saw something they don't like. I once watched a buck come a long ways only to stop just out of easy bow range.

Why the buck stopped was beyond me, but stop he did, and he kept looking on the ground along the edge of a tag alder run between us. I studied him through binoculars, and tried to see what he was looking at, and it remained a big mystery.

He left without coming the 20 yards necessary to provide me with a clean shot within my established shooting distance. He walked off and soon disappeared, and as shooting time ended, I eased from the stand and walked over to that spot.

It took a moment of looking around but I found what had spooked the deer. A hunter had moved through that area while hunting grouse and woodcock near the alders, and apparently had shot at a bird.

I found an empty 12 gauge shotshell, and it was laying somewhat in the open where the setting sun would glint off the brass. It wasn't much, but from where the buck had stood, there was still a tiny glint of sunlight there. The buck knew something was different, and turned and took another route out of the area.

It's some of these little things that can make or break a bow hunt. Always be aware of what is going on around you during a hunt because it can affect how deer react.

Lessons learned from the deer

Whitetails can keep a hunter honest. They also can make you a better hunter.

This doesn’t mean that my valued readers are dishonest nor does it mean they are bad hunters. It simply means that deer have the ability to make hunters think.

They also can make hunters pretty humble when sportsmen think they know everything about deer hunting. Hunters who feel superior often get humble pie to eat.

Learn from deer. Study their actions, and become a good hunter.

One thing I’ve learned over many years is to watch hunters. It doesn’t take long to determine who are the great sportsmen, and who are braggarts. I’ve hunted in many camps over the last 50+ years, and the loudest and most aggressive hunters are usually the ones who make the dumbest mistakes.

An old saying goes like this: it’s better to keep your mouth shut and be thought a fool than to open it and remove all doubt. The best rule is to keep the mouth closed. listen and pay attention.

Picking people’s brains, and learning what they know, is fun and can provide valuable information. Savvy hunters never venture an opinion unless they know what they are talking about. That is especially true when talking about hunting whitetail deer.

Southern folk have some great sayings. They’ve been distilled from years of hard work and minding their manners. One saying that has a whole bunch of learning in it is “My momma didn’t raise no fools.”

Listen to older hunters, and cogitate on what they say.

Folks who gather around savvy hunters should keep that thought in mind. That means do less talking and much more listening.

Last year a man brought his son around for a hunt. The boy would come up to the house, make a dumb remark about deer hunting while several of us planned our evening hunts. We were tossing around ideas, and discussing where everyone would sit, and discussing the present wind condition.

The boy kept nattering on and on. He was taking up precious planning time by constantly interrupting.

A friend eventually spoke up rather bluntly and loudly, and said: “Boy, you better learn more about deer hunting before speaking your mind. You want to learn about hunting, sit down, shut up and listen. You’ll learn more than you will talking nonsense about a topic you know nothing about.”

The boy sat and listened for a minute, spoke up, and my friend looked hard at him, and the kid went running out the door. His daddy had money, and it’s almost certain that no one had every talked that way to the kid before.

I’ve been around whitetails all my life, and spent over 55 years hunting and studying the critters, but there are many others who know many things that I don’t know. I listen intently to them and learn.

One can read and learn, but actual hunting is the best teacher.

There are countless ways to learn things but in-the-field experience is the best when it comes to learning about whitetails. Hunting the animals, and studying them as you hunt and during the off-season, is the best way to accumulate knowledge. Reading about it, and absorbing that knowledge and putting it to good use, is another. What is most important is the hunter must learn to convert that knowledge into an action plan that works in the woods.

Experience will put a fine point on your acquired knowledge. Some of my early deer-hunting knowledge came from talking to old-time hunters and guides, and using some of that information on my hunts.

The more days spent afield will continue to add to a solid footing, and one day after learning a great deal about deer hunting, you’ll know you’ve come a long ways in your gathering of deer-hunting knowledge.

That will be the day when you can honestly look yourself in the morning mirror, and confess: “I don’t know as much about deer hunting as I thought I did.” And then you go out and learn some more.

Little things can affect a hunt’s success

Patience and avoiding those little things that may go wrong can lead to success.

Many hunters think of bow hunting as a huge-antlered buck standing motionless at 20 yard with nothing but a few low-growing weeds and air between them and the deer.

This so-called calendar pose is what many short-term bow hunters expect to see while hunting. They've been conditioned over many years to expect such a shot, no matter how unrealistic it may be.

The same hunters seldom think of spotting a nice buck, his head held low, as it ghosts through a cedar swamp or tag alder tangle. The truth is that while an occasional shot is taken at a broadside, head-in-the-air buck, the reality is much different than what our imagination delivers.

It's often the little things than determine success or failure while bow hunting.

The little things about bow hunting reveal that more often than not a buck seldom offers easy, open shots. Often, the animal is partially screened by brush or is standing in thick cover. Deer often stop when their vitals are screened by thick brush.

One of the little things that hunters must learn, and practice faithfully, is patience. Hunters who get strung out by a motionless buck that doesn't move are usually unprepared for a shot when the deer does.

Patience is something all of us must believe in. It's always better to sit motionless, and if the buck doesn't move before shooting time ends, chalk it up to another night when the deer outsmarted the hunter. Such things happen far more often than we care to think about.

Sitting motionless and silent is the best alternative to trying a Hail Mary shot that may make it through the brush to the buck's vitals, but for whatever reason, it never does. Taking a low-percentage shot only educates or wounds the deer.

There have been countless times when I've spent 30 minutes to one hour waiting for a buck to move that last 10 feet to offer an open shot. More often than not, they refuse to budge and shooting time ends with the animal still standing motionless in thick cover.

Patience is a virtue when bow hunting for whitetail bucks.

Another little thing to remember is to stay in your stand until the buck moves off by himself. Start crawling down out of a tree, and you'll have ruined that stand for the rest of the year. Just hang tight, remain silent, and let him move when the mood strikes him.

Building your patience seldom happens overnight. It takes time and a great deal of practice, and blowing many possible opportunities, before you acquire the necessary skills to wait out the deer.

Don't do something stupid if the buck is slowly making his way to you. Perhaps you are in his travel route, and if you sit patiently, the buck will move to you. If you haven't been calling, and suddenly start calling to a nearby deer, the animal may turn away. It may or may not spook, but if the deer keeps coming to silence, don't introduce something new into the situation becauses things could backfire.

Be very cautious about dropping things. I've seen bucks and does stop 50 yards away because they have seen something they don't like. I once watched a buck come a long ways only to stop just out of easy bow range.

Why the buck stopped was beyond me, but stop he did, and he kept looking on the ground along the edge of a tag alder run between him and me. I studied him through binoculars, and tried to see what he was looking at, and it remained a big mystery.

Pay attention to the little things in your hunting area.

He left without coming the final 20 yards necessary to provide me with a clean shot within my established shooting distance. He walked off and soon disappear, and as shooting time fell, I eased from the stand and walked over to that spot.

It took a moment of looking around but I found what had spooked the deer. A hunter had moved through that area while hunting grouse and woodcock near the alders, and apparently had shot at a bird.

I found an empty 12 gauge shotshell, and it was laying somewhat in the open where the setting sun would glint off the brass. It wasn't much, but from where the buck had stood, there was still a tiny glint of sunlight there. The buck knew something was different, and turned and traveled another route.

It's the little things that can make or break a bow hunt. Always be aware of what is going on around you during a hunt because if can affect how deer react.

Which is best: Guessing or knowing?

Pick the right spot and you may shoot a nice buck like the author.

It's a common problem for deer hunters. They find themselves in unfamiliar territory, and are trying to puzzle out where the best place is to hunt.

Many hunters take a wild flying guess based on minimal input from gazing at trails, and pick a spot. Often, it may look good but in many cases it is a hurry-up and poor guess that won't pay off.

Having said that, we can answer the question that serves as the title of this daily blog.

Guessing at good hunting spots is never a great idea.

Knowing where to hunt is always better than guessing. Knowing comes from a constant familiarity with the area being hunted. Let's put it another way: We travel to Alabama in mid-January when the rut is in full swing, hoping for a good buck, and we hunt on private club land.

Someone acts as a paid or unpaid guide, drives us to a stand where deer are known to pass, and with some luck, we shoot a buck. If we don't shoot a buck, it means that none were seen, none were of the size we wanted or a buck did show up but didn't offer a chance for an accurate shot.

We hunt again in the evening, and are placed in a key location where we should see deer. No one can always make deer move, and no one can guarantee that a hunter can and will sit still.

If we should hunt this way, with others telling us where to hunt, it's a wise move to pay close attention to the terrain in which we hunt. There are always some things that can offer subtle hints about each location. Try to figure them out as you move deeper into cover.

More deer are shot in thick cover than out in the open.

Deer often are found in fringe cover, that area between thick heavy cover and open land. Of course, a ground blind or tree stand may be located anywhere in-between, and it's up to the hunter to learn why one particular spot is better than another.

One of my favorite spots is on a low hillside with thick heavy cover on three sides with open land on the west side. The prevailing westerly wind blows down through the open cover, and the stand is cross-wind.

The only way a deer can pick up a hunter's scent here is if he climbs into or out of the stand. The stand should be high enough on this small hill to blow scent over the surrounding thick cover.

One thing hunters must do is look at terrain the way a deer look at it.

  • Where is the food supply?
  • Where are the key bedding areas?
  • Which trails connect those two key locations?
  • How can deer, especially larger bucks, travel back and forth without being on trails?

Other key factors include:

  • How does the wind blow in each location, and does it swirl backwards when hitting a woodline?
  • How can a hunter get into and out of the area without bumping into moving deer?
  • Does the hunting area have two or three way to enter and exit to avoid traveling the same route time after time?

Choose a stand site that is easy to access without bumping deer.

  • Which type of stand is best suited to that area?
  • Which would work best: a ground blind, pit blind, tree stand or elevated coop?
  • How high is high enough for elevated stands?

I've found that a tree stand elevation of 15 to 18 feet is usually high enough under most circumstances. I've got one stand that is close to 30 feet in the air, and it is a consistent producer but steep-angle shots are not a good bet when a hunter must make a decision in a hurry, and then take a quick well-aimed shot.

Many of my stands are at 14-15 feet. That places a standing bow hunter at roughly 20 feet in the air. A stand at 18 feet puts the same hunter at roughly 24 feet. Each stand has special requirements, and hunters must solve these problems long before the season opens. Match stand height to the best natural features of a tree. Don’t place stands directly on a trail but just far enough away that a deer moving toward you won’t be looking directly at you.

Hunters will have far better hunting success if they know why a hunting location is best. Guessing implies that one is trusting to luck or fate. With a guess, the hunter will have a 50-50 chance of guessing right. If you error, make certain you error on the side of common sense when choosing a stand site.

Of course, this also means a 50-50 chance of guessing wrong. There is nothing worse than a stand that requires hours of effort and time to prepare only to learn it is not in the right spot.

This year, don't guess. Know where the hotspots are long before the season opens. Doing so beats guessing every time, and you can take that to the bank.

Talking turkey requires plenty of practice

Don’t practice calling in the field to gobblers, John Phillips yelping.

It’s not my intent to create marital acrimony. It is my intent to get turkey hunters in April and May to have some calling practice under their belt before they don their Mossy Oak camouflage clothing and take to the turkey woods.

One might ask now during the dead of winter: Is calling as important to a turkey hunter as some sportsmen would have us believe, or is calling just the frosting on a turkey hunters cake? If it isn't to you, it should be.

I’ve turkey hunted for many years in Michigan and other states, and find the physical act of calling a gobbler close enough to shoot to be more exciting than actually shooting the bird. Most hunters who have taken a number of longbeards often  feel the same.

It's one thing to choose a spot to ambush a gobbler as he walks by, which is legal but not very sporting. It's still another to make the longbeard come to you, one or two tentative steps at a time; its head up and looking, the roar of a return gobble, the sight of a snowball head moving slowly through the woods toward a hen call.

The epitoome of turkey hunting is calling a gobbler in.

Turkey hunting is fun. Calling a gobbler to the bow or shotgun is just about as much fun as anyone can have while wearing camo clothing. Is calling hard and must we be an expert caller to succeed?

Good questions. No, Harold Knight of Knight & Hale Game Calls once told me one doesn't have to be an expert to be successful he said that “calling is not extremely difficult but getting the right cadence can be tricky.”.

Using a diaphragm call is much more difficult to learn than an aluminum, crystal, glass or slate friction call. The wood box call is perfect for first-time hunters because it is one of the easiest to master, and the easiest of all to use is the push-button call that produces realistic sounds.

The most difficult turkey call of all to master is the wing-bone yelper. Anyone who can run a yelping sequence on a wing-bone yelper or trumpet is a person who has my admiration. It is extremely difficult to master, which is why few people use them in the northern states. Wingbones are more commonly used in southern states.

There is one important thing to remember: turkeys, like humans, have different voices. I've listened to world champion callers, and once spent a week deer hunting in Alabama with the late Dick Kirby of Quaker Boy Calls. He was prepping for the World Championship  of turkey calling, and he could make truly realistic turkey sounds that were as clear and pure as the brittle tinkle of an icicle breaking.

"Championship calling is different than an in-the-field situation," Kirby told me. "Hunters who can cluck, cutt, purr and yelp can call birds. Championship-type calling isn't required because no two turkeys sound alike. The key is more about the cadence and rhythm of a call than the quality of the sound. The biggest secret is knowing when to call, which call to make and not to call too often. A caller who calls much too often will scare more birds than he will attract."

Choose your calls wisely and practice often with each one.

Box calls - Hold the call lightly in the palm of the hand. Many callers hold a box call horizontally, and draw the paddle across the top of the box. Some hunters, especially in southern states, hold the box vertically and hold the striker between index and middle fingers to strike the lip of the box. Both methods work well, and what it boils down to is using whichever method that feels the most comfortable.

A turkey show was on television recently, and the host was using a box call in a horizontal position, and would then hold the call in a vertical fashion. He didn't look very comfortable with either method. Use whichever feels best and produces the best sound, and there's no need to switch back and forth from horizontal to vertical.

Make a cluck by popping the striker (handle) against the top of the box. It is a sharp one-note sound. To cutt, make a series of sharp clucks in rapid fashion. Yelps are made by moving the handle across the lip of the box and cover the sound chamber to accomplish the two-note call. Purring is simple and works best early in the morning when birds are roosted; move the striker lightly and slowly across the lip of the box.

Diaphragm - David Hale could make astounding sounds with a diaphragm call but mine sound like a gobbler with an adenoid problem. However, my diaphragm calls are effective. Remember, notes need not be competition perfect. Just understand the cadence of each call, and know when to make that particular call. Go to Knight & Hale.

To cluck exhale air across the reed(s) and say "putt." Cutt by making three or four fast clucks quickly and sharply. They can be made loud or softly, and much depends on how far away the bird is and how he responds to the call. A soft cutt often excites gobblers when they are within 50 yards.

 

The hen yelp is an important one to learn.

A yelp begins high (and can be strung out) and falls off into a lower note. Yelps can be strung together quickly or done just once but jaw, mouth and tongue movement can affect volume and tone. Experiment until it sounds good. A purr is fairly difficult to do, but I find it easier than breaking off the high end of a yelp into the low tone. My yelps sound like a bird with tonsillitis but they usually come to it.

Aluminum, crystal, glass or slate calls are quite easy to use but require both hands. I favor these calls when a turkey is a good distance away, and as the bird comes closer, I switch to the diaphragm call so both hands are free to handle the shotgun. Try Southland Game Calls new yellow heart crystal.

All four materials require the use of a peg or striker. Strikers are made of carbon, glass, plastic or wood.

  • To Cluck, hold the striker like a ballpoint pen but turn the tip at an angle pointing toward your body and drag it toward you in a skipping motion.
    • Press down harder to make a louder cluck.
  • Cutting is done by making a series or fast and irregular clucks for five to seven seconds.
    • Cutts can be soft or loud, and long or short in duration.
  • Yelping is done by dragging the striker with some pressure in a circular motion or a straight line.
    • The more pressure of striker against the call, the louder the sound.
  • Purr by lightly dragging the striker across the call.

This is one of my favorite calls early in the morning because it sounds like a contented bird.

A recording of these sounds make more sense for a beginner than me trying to put down what each sound is like. Hunters also can talk to an accomplished caller and learn these basic sounds, but the key to success is practice. I sit in my basement office, and practice often while my wife and grandkids go to the other end of the house.

Treat call-shy gpbblers carefully. Don’t too much or too loud.

Some gobblers are, by nature, downright call-shy. Gobblers often will call from the roost, and four or five Toms gobbling back and forth sends chills down my spine. As a general rule, don't call as often as a gobbler; let him wonder where the hen is and come looking for it. I often give one or two soft tree yelps after I hear the first crow calling at dawn. If there is no response, try again five minutes later. If a gobbler responds, sit still and say nothing. Wait for the gobbler to call again, and then softly cluck or purr for five seconds and shut up.

A big limbwalker will probably boom back a return call but let him wait again. As he gobbles, birds in other areas may respond with a gobble so wait for a few minutes after silence is restored. Try another soft purr, and if it is full light, slap a turkey wing against a tree or your pant legs to imitate a bird flying down, and give one short and soft yelp to sound like a hen on the ground.

Muffle some calls like a hen moving around on the ground, and listen for the gobbler to fly down. Give him another yelp, and if he gobbles, let him come. If the bird stops 50 yards away, purr or softly cluck and scratch in the leaves with your fingers like a hen feeding. If the bird keeps coming, stay quiet and let him come. If the gobbler stops behind a tree within range, purr or cluck softly and shoot when he steps out and lifts his head.

If a gobbler hangs up, try a trick that has worked for me many times. Use two calls at once: yelp softly with a diaphragm and with a box or slate call to imitate two hens calling for Tommie. This trick has produced many gobblers for me and my friends. Or, try creeping backwards and turn and call softly away to imitate a hen moving to a more distant location.

Try to set up so the bird can come into a semi-open area to look for the hen. Gobblers will move through thick cover if necessary but they like to see what lays ahead and to check if it appears dangerous

Calling isn't particularly difficult but it requires some practice. Do it in the car or at home, but not out in the field. The first time you call outdoors is when you have a shotgun in hand.

One final tip: mosquitoes can be a problem in the spring. The ThermaCELL unit keeps them at bay. Check it out.

The above are just some of the basics of calling a wild turkey within range, and it represents some of the tricks that work. Give 'em a try when the April-May turkey season is open, and work at learning something new every day. Studying turkey behavior and their calls- will pay off.

Cause & Effect


This is about a topic first learned in school. It may not have been devised with whitetail deer in mind, but it certainly does apply.

It states that for every action, there is an opposite or opposing reaction. We've all heard this before, and it applies in many and varied ways to deer hunting.

Take an ill-advised shot at a buck or doe and miss, and the action of shooting causes an opposing reaction. The deer runs off, alarmed but unharmed. It also snorts and alerts other deer in the area to hunter presence.

There’s no mistaking a bad reaction to an unwise human decision.


This action-reaction plays out on a daily basis in the deer woods. Set up in the wrong place, place yourself upwind of deer, and once they catch your scent, off they go without a bow-shot being taken.

The same action-reaction could be called cause-and-effect. Your ill-advised hunting actions cause you to take a shot and miss, and the deer runs off, allowing for its escape.

Many bow hunters fail to heed the good advice of credible hunters. They seem to think they are invisible because they are dressed in camo. Well-worn camo can be ruined by wearing clothing washed in detergent with whitening agents. The deer spook from whitened clothing that just doesn't look natural.

Thousands of hunters believe they are quiet and motionless. They should have a buddy sit 50 yards away with a video camera to tape all the movements that are made.

We've all seen television hunting shows where the cameraman tapes the host pointing and loudly whispering "it’s a buck" four or five times in a row. These are called "cutaways," and are usually taken long after or before the buck has walked into range and caught an arrow through the heart and lungs.

Be cautious about what you think is learned from a TV hunting show.


Hunters who try such nonsense merely are seen, heard or both by the deer, and the animals run off snorting. Cause and effect or action and reaction.

Television hunting shows are expensive to produce, and the competition for advertising dollars is fierce as people compete for money to do next year’s shows. If they make noise at the wrong time, and the buck vamooses, the chance of getting future ad dollars from that company go down the tube. Again, a classic case of action and reaction.

Bow hunters are well advised to consider cause and effect, action and reaction, every time they go hunting. For every possible action, there is a possible reaction, and they may be damaging to your body or harmful to your hunting efforts.

Hang stands early. Insure that everything is safe. Wear a safety harness. Learn how to sit still and don't make noise. There are countless things to think about, but consider every action far in advance and think about any possible reactions.

Give live deer the credit they deserve.


Deer live in the fields, swamps and woods every day. We live there a few hours a day or a week. Give deer a great amount of credit for being instinctive, savvy and alert to changes within their home range.

One way to consider your actions while deer hunting is to consider your bed. If the head of your bed faces west, and you prepare to retire for the night and find the head of the bed facing east, you will quickly notice it. Deer always notice changes in their world.

Consider every change made while hunting, and give serious consideration to the reactions. This is such a basic concept that any bow hunter should learn it early in their hunting career. Alas, too many don’t learn it until it’s too late.

Just remember: for ever action, there is an opposite reaction. Anything you do can and will backfire if you don't think the problem through long before committing to it.

Conquer this basic thought, engage the brain before the body, think things through, and it's very possible that your hunting success ratio with climb.

Read & learn about fishing & hunting


There is a one-word statement that often is uttered following the name of a famous but deceased outdoor writer. It is: "Who?"

My outdoor education began when I was about 10 years old, and I began my personal subscriptions to Field & Stream, Outdoor Life and Sports Afield -- the so-called  "Big 3" outdoor magazines.

I read each magazine from cover to cover, and eagerly awaited the arrival of the next issue. Certain writers captured my fancy, forced me to probe my mind, test their hard-earned advice and knowledge, and they made me want to learn more about fishing and hunting.

Reading the old masters (noted below) can teach fishing & hunting.

There were many of them through the mid-1960s that helped me develop an even greater personal interest in outdoor writing. Some of those names have vanished with time as the author passes away.

Many were people whose outdoor writings captivated my imagination, and made me dream of far-flung fishing or hunting adventures. My early favorites, should anyone care, were men of great stature in the outdoor writing field at the time.

Men such as: Charlie Askins, Erwin "Joe" Bauer, Havilah Babcock, Peter Barrett, Fred Bear, Ray Bergman, Craig Boddington, Nash  Buckingham, John Cartier, Homer Circle, Eugene V. Connett, Jim Corbett, Byron Dalrymple, Henry P, Davis, Frank Dobie, Frank Dufresne, Ben East, Charlie Elliott, George Bird Evans, John Taintor Foote, Corey Ford, Arnold Gingrich, Roderick Haig-Brown, John Jobson, Bill Jordan, Elmer Keith, Tom Kelly, Dana Lamb, Arthur Macdougall, Gordon MacQuarrie, John Madson, Jack O'Connor, Robert Ruark, Archibald Rutledge, Jack Samson, Edmund Ware Smith, Robert Traver, Ted Trueblood, Joel Vance, Ray Voss, Jim Zumbo and countless others have helped, in many ways, to forge Dave Richey's writing career.

Many, in their later years, came to be personal friends. Some like Corey Ford and Robert Ruark passed away about the time that outdoor writing became my inspiration, but it had yet to become a hobby or full-time job.

I remember many discussions, in person and by mail, with Bauer, East, O'Connor Traver and many others. Some, like John Madson, were truly great writers, and I have dozens of handwritten and typed letters from Madson. His writing sparkled in a down-home manner, and he wrote with a great economy of words.

Those men above are & were among this nation’s best outdoor writers.

The late Ben East of Holly, Michigan, was perhaps the finest copy editor I every worked with. Some of these men were more outdoorsman than writers, but the late John O. Cartier, was as good in the field as at his computer or with a red editing pencil.

Ruark, although we never met, touched me deeoly with his whimsical "The Old Man & The Boy" book (see my Scoops Books for a copy), which should be required reading for anyone with an interest in fishing and hunting. It is warm, wonderful, filled with homespun philosophy, wisdom, and regardless of how great Ruark was, he died much too young as the result of far too much strong drink and a defeated liver.

The late Joe Bauer began writing while a game warden in Ohio, and he became best known for his superb outdoor photographs, his many books and his constant parade of feature articles in The Big 3. He was quiet almost to the point of shyness, and was hired to teach writers for Outdoor Life how  to shoot great photos. His humble "I don't know how I do it" was the truth, but after listening to him talk for two hours, me and many other people came away with a greater knowledge of taking prize-winning photographs.

Most of the really good writers were reticent about discussing their fame and glory of their work. Others barked and bleated if things didn't go their way, and still, they did some things that others really wanted to learn.

There are many tales of the late Elmer Keith. He was fairly short, wore a big cowboy hat, disliked Jack O'Connor intensely (the reverse was also true), but many are the tales of Keith's exploits. He once saved a woman's purse after a man snatched it from her hand. Keith is said to have pegged several shots with his six-shooter around the culprit, who wisely dropped the purse and fled. Keith tipped his hat, gave the woman her purse, and walked off.

Reading good writing can lead to far better angling & hunting success.

These men were people I looked up to, and meeting them (most of them), was a high point in my life. I also met Ted Williams, baseball's last .400 hitter years ago, and I showed no more hero worship for him than for the outdoor writers noted above. I simply admire their skills at their chosen jobs, and in truth, the angling or hunting writer were more real to me than someone like Williams.

The point of this discourse is that reading today's outdoor writers offers a peek into their lives. You can learn from the true outdoor writer, the one who spends time in the field, but learn very little from the indoor-outdoor writer, a person who writes about fishing and hunting but never does it.

Fishing and hunting, as we know it, will gradually lose some of its luster as this world keeps spinning. It will never entirely die out, but people will become more diversified, and parcel ever smaller amounts of time to these pastimes in the future. So, if you love fishing and hunting now like I do, read as much about it as possible now.

To read is to learn, and to learn means one will become more successful in the future. Today’s outdoor writers, and those of yesteryear, deserve some attention. People can become better anglers and hunters by reading and studying the combined works of 20th and 21st century sportsmen-writers.

And offer a word of occasional thanks to those who toil so you can better enjoy the outdoors. Many of my favorite writers are long gone, and one day, some of today's favorite writers will also be gone, this writer included.

Let them know you appreciate their efforts. Doing so after they have fished around their last bend or hunted their last grouse covert or deer woods, as is true with some of those greats who were mentioned above, is a belated attempt to reverse an earlier error of omission.

Choose tree stand locations wisely


The first step is to determine if deer are still using the area. I've got a good looking spots in one of my hunting areas, and I spent some time today under a hot sun looking around. I was checking for deer tracks moving through or near this spot, and deer are moving within 15 yards of my chosen stand site.

Check areas where trails enter or leave an open field.

The nearby ground cover is so thick that deer trails can be difficult to see, but dogged determination found a few trails moving through the fallen trees and the heavy growth of berry bushes and underbrush. This area was logged off a few years agi, and the deer less spooky about  moving through.

I need at least two ways to move in and out of the area, and this area offers two solid choices. A third possibility exists if the wind in from the south. The closest bedding cover is 75 yards away and it means easing in and out quietly and I removed some of the small logs and rocks that could be ankle twisters after dark. The rest of the cover remains unchanged.

In one of my other locations I've got a ladder stand to erect, and even though deer are moving through cedars and pines, the woods are rather open. This spot calls for some work and a bit more study before placing my stand.

The problem here is that plenty of deer move through this spot every day but  placing the stand anywhere near where they exit heavy cover means the possibility of spooking them. And it's fairly close to a house.

A buck and doe move through this area but it’s too close to a residence.

I can't  go deeper into the heavy cover, and the trees along the outside edge are too sparse. A deer could hear a hunter climbing softly into their stand, and the wind swirls badly in this location. I may have to give up on this site.

A third location is a no-brainer. Three heavily used deer trails merge like the lanes on a freeway, and there are actually spots for two stands. One could be downwind on a southwesterly or westerly wind, and the other stand site is only 50 yards from a dog-leg in the trail. This spot would be perfect for an easterly or southeasterly wind.

It's not possible to always find good hunting spots along a trail through heavy cover. Some allow stand sites that are perfect for hunts when the wind is from the predominant direction and by moving just 50 yards, one can find a great place to hunt when the wind is from the east. Hunters should always have a decent spot for those nasty east winds.

My first location will probably see a new stand go up early tomorrow before it gets too hot or a thunderstorm moves through, and then I'll stay away from it until hunting season kicks off. It's in one of those spots where the stand must be approached quietly and only when the wind direction is perfect.

Make certain you’ve chosen your spot wisely before putting up a stand.

The other two locations still require a bit more study to determine wind directions and how the animals travel morning and evening. New stands are always a bit dicey the first two or three times they are hunted.

Putting up and taking down stands are not enjoyable things to do. Once I do it, I want to make certain that everything is right. Making a change once the season starts is never a good idea. It only educates the deer.

Deer learn to pattern hunters, and once that happens, the hunter becomes the big loser. The deer just learn how to avoid that general area, and their travel pattern takes them to an area where they are not spooked.

Pretty logical actions. And then the hunter must find another spot to hunt. It's best to be certain of the spot and deer travel through it before the stand goes up.